Recherche

Reclining figure, arch leg

entre 1969 et 1970

Henry Moore

Hermann Noack

Sans titre

1981

Henri Presset

Sans titre

1981

Henri Presset

Sans titre

1981

Henri Presset

Sans titre

1981

Henri Presset

Parisienne de 1884

1884

Rodolphe Piguet

Head of a Cyclops

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Here I was searching for the skull's internal structure

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Holes, caves and column

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Vertical and horizontal forms

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Though still only line-drawing I wanted to show the skull's massiveness

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Here the etching needle hardly touched the plate

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

It is the most impressive item in my 'library' of natural forms

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Illusionist drawing - Linear technique

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Two and three pieces reclining figures

1967

Henry Moore

Gérald Cramer

Atelier Lacourière & Frélaut

Sans titre

1983

Henri Presset

Schweizerische Graphische Gesellschaft

Atelier Raymond Meyer, Pully

One finds forms of great strength contrasting with others of amazing delicacy

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Skull side view - Jaw articulation

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Two interlocking figures

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

I used the hairline finesse of line to suggest space and mystery

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

The elephant is the most remarkable living link we have with the prehistoric world

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

The holding arm of a Mother and Child sculpture

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

On completing this plate I thought of Piranesi's series of the 'Imaginary Prisons'

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Skull side view - Eye socket et tusk hole

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

An elephant skull was recently added to Moore's maquette studio

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

It became in mind the arm of a reclining figure

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Rocks, arch and tunnel

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Skull back view - Tunnels regressions, dark depths

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

View of a male torso

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

With more complexity than there is in a human skull

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Couleurs

Œuvres (1677)

Reclining figure, arch leg

Sans titre

Sans titre

Sans titre

Sans titre

Parisienne de 1884

Head of a Cyclops

Here I was searching for the skull's internal structure

Holes, caves and column

Vertical and horizontal forms

Though still only line-drawing I wanted to show the skull's massiveness

Here the etching needle hardly touched the plate

It is the most impressive item in my 'library' of natural forms

Illusionist drawing - Linear technique

Two and three pieces reclining figures

Sans titre

One finds forms of great strength contrasting with others of amazing delicacy

Skull side view - Jaw articulation

Two interlocking figures

I used the hairline finesse of line to suggest space and mystery

The elephant is the most remarkable living link we have with the prehistoric world

The holding arm of a Mother and Child sculpture

On completing this plate I thought of Piranesi's series of the 'Imaginary Prisons'

Skull side view - Eye socket et tusk hole

An elephant skull was recently added to Moore's maquette studio

It became in mind the arm of a reclining figure

Rocks, arch and tunnel

Skull back view - Tunnels regressions, dark depths

View of a male torso

With more complexity than there is in a human skull

Accessibilité