Recherche

Reclining figure, arch leg

entre 1969 et 1970

Henry Moore

Hermann Noack

G 5

1953

Hans Hartung

Atelier Lacourière & Frélaut

Head of a Cyclops

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Here I was searching for the skull's internal structure

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Holes, caves and column

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Vertical and horizontal forms

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Though still only line-drawing I wanted to show the skull's massiveness

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Here the etching needle hardly touched the plate

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

It is the most impressive item in my 'library' of natural forms

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Illusionist drawing - Linear technique

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Two and three pieces reclining figures

1967

Henry Moore

Gérald Cramer

Atelier Lacourière & Frélaut

L 1974-9

1974

Hans Hartung

Erker-Presse, Saint-Gall

L 1966-3

1966

Hans Hartung

Erker-Presse, Saint-Gall

G 1970-20

1970

Hans Hartung

Editorial Gustavo Gili

One finds forms of great strength contrasting with others of amazing delicacy

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

[Au bordel]

vers 1927-1928 (?)

Hans Hartung

Skull side view - Jaw articulation

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Two interlocking figures

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

L 1976-12

1976

Hans Hartung

Erker-Presse, Saint-Gall

G 7

1953

Hans Hartung

Hedwig Marbach

Atelier Lacourière & Frélaut

L 103

1963

Hans Hartung

Erker-Presse, Saint-Gall

L 1976-8

1976

Hans Hartung

Erker-Presse, Saint-Gall

L 1966-2

1966

Hans Hartung

Erker-Presse, Saint-Gall

I used the hairline finesse of line to suggest space and mystery

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

The elephant is the most remarkable living link we have with the prehistoric world

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

L 117

1963

Hans Hartung

Galerie Im Erker

Erker-Presse, Saint-Gall

G 9

1953

Hans Hartung

Hedwig Marbach

Atelier Lacourière & Frélaut

L 1976-14

1976

Hans Hartung

Erker-Presse, Saint-Gall

The holding arm of a Mother and Child sculpture

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

On completing this plate I thought of Piranesi's series of the 'Imaginary Prisons'

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Couleurs

Œuvres (1019)

Reclining figure, arch leg

G 5

Head of a Cyclops

Here I was searching for the skull's internal structure

Holes, caves and column

Vertical and horizontal forms

Though still only line-drawing I wanted to show the skull's massiveness

Here the etching needle hardly touched the plate

It is the most impressive item in my 'library' of natural forms

Illusionist drawing - Linear technique

Two and three pieces reclining figures

L 1974-9

L 1966-3

G 1970-20

One finds forms of great strength contrasting with others of amazing delicacy

[Au bordel]

Skull side view - Jaw articulation

Two interlocking figures

L 1976-12

G 7

L 103

L 1976-8

L 1966-2

I used the hairline finesse of line to suggest space and mystery

The elephant is the most remarkable living link we have with the prehistoric world

L 117

G 9

L 1976-14

The holding arm of a Mother and Child sculpture

On completing this plate I thought of Piranesi's series of the 'Imaginary Prisons'

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