Recherche

Head of a Cyclops

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Here I was searching for the skull's internal structure

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Holes, caves and column

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Vertical and horizontal forms

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Though still only line-drawing I wanted to show the skull's massiveness

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Here the etching needle hardly touched the plate

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

It is the most impressive item in my 'library' of natural forms

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Illusionist drawing - Linear technique

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Two and three pieces reclining figures

1967

Henry Moore

Gérald Cramer

Atelier Lacourière & Frélaut

One finds forms of great strength contrasting with others of amazing delicacy

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Skull side view - Jaw articulation

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Two interlocking figures

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

I used the hairline finesse of line to suggest space and mystery

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

The elephant is the most remarkable living link we have with the prehistoric world

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

The holding arm of a Mother and Child sculpture

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

On completing this plate I thought of Piranesi's series of the 'Imaginary Prisons'

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Skull side view - Eye socket et tusk hole

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

An elephant skull was recently added to Moore's maquette studio

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

It became in mind the arm of a reclining figure

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Rocks, arch and tunnel

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Skull back view - Tunnels regressions, dark depths

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

View of a male torso

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

With more complexity than there is in a human skull

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Bones have marvellous structural strength and hard tenseness of form

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Affiche pour l'exposition "Joan Miro bois gravés pour A toute épreuve de Paul Eluard", Genève, Galerie Gérald Cramer, 1958-1959

1958

Joan Miro

Gérald Cramer

One form cupped and socketed into another

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Doric column and underground dungeons

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Desert sandhills stretching to the horizon

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Bones have great variety in section and subtle transition of one shape into another

1969

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

View of a Female back

1970

Henry Moore

Gérald Cramer

Lacourière & Frélaut (Jean-Paul Berger)

Couleurs

Œuvres (1206)

Head of a Cyclops

Here I was searching for the skull's internal structure

Holes, caves and column

Vertical and horizontal forms

Though still only line-drawing I wanted to show the skull's massiveness

Here the etching needle hardly touched the plate

It is the most impressive item in my 'library' of natural forms

Illusionist drawing - Linear technique

Two and three pieces reclining figures

One finds forms of great strength contrasting with others of amazing delicacy

Skull side view - Jaw articulation

Two interlocking figures

I used the hairline finesse of line to suggest space and mystery

The elephant is the most remarkable living link we have with the prehistoric world

The holding arm of a Mother and Child sculpture

On completing this plate I thought of Piranesi's series of the 'Imaginary Prisons'

Skull side view - Eye socket et tusk hole

An elephant skull was recently added to Moore's maquette studio

It became in mind the arm of a reclining figure

Rocks, arch and tunnel

Skull back view - Tunnels regressions, dark depths

View of a male torso

With more complexity than there is in a human skull

Bones have marvellous structural strength and hard tenseness of form

Affiche pour l'exposition "Joan Miro bois gravés pour A toute épreuve de Paul Eluard", Genève, Galerie Gérald Cramer, 1958-1959

One form cupped and socketed into another

Doric column and underground dungeons

Desert sandhills stretching to the horizon

Bones have great variety in section and subtle transition of one shape into another

View of a Female back

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